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Can you give a brief introduction to Geomatic?

It all started in 1983 in Vilnius, Lithuania when we began experimenting with the synths, two tape recorders and a microphone. Year later we started a synth band with some other friends. Then one of us finished music college and the other one was trained as audio technician and gained his experience at the local clubs and gigs.


Geomatic exists since 1996, before that you were playing as a synth pop band, why the drastical change of music?

It isn’t that drastic of a change since it wasn’t “synth pop” music in its truest sense, but rather experiments with what we had to work with at the time – synths and tape recorders. Back then if we could have had means to afford those first incarnations of the samplers and a few ethnic instruments, we would have probably been doing what we are doing now.


Geomatic is still a pretty unknown name here, even though you are around for a long time, why is this, what are your thoughts about this?

Poor management? Crippled promotion? Bad Karma? Who knows. Seriously though, we spend so much time working in the studio that there’s none left to promote our work as we think it deserves to be promoted. On the other hand we always avoided being put into certain frames of style or group of bands flocking together, hence the ever present feeling of being an outsider. It doesn’t bother us in the slightest, for we crave for quality rather than quantity of the albums or “pop star” stardom for that matter. We do hope the rest will come, eventually.


You have released 2 albums so far and are now working on the third one, in what way will the 3rd album deviate from the other two, can you tell us something about the new album already?

The new album is almost finished and the next stage will be mixing and mastering, which will probably take from 2 to 3 months to complete. The difference with “Blue Beam” is neither big or noticeable, except for the theme and the sound itself is relatively harsher. The theme itself is based on a conspiracy theory (as well as Blue Beam was) of some well known government agency meddling into things ritualistic and esoteric in a field of space exploration activity.

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How would you describe your music and what are your influences?

As strange as it may sound, we find our influences in 80’s British synth music with the likes of Fad Gadget, Yazoo, Flying Lizards, Art of Noise, Malcolm McLaren, Visage, Cabaret Voltaire, etc. The experimental side of our music though, was heavily influenced by Andrew Lagowski and his other side projects, Brian Williams and Dead Can Dance. That’s what got us going and keep us rolling.


Besides the ambient and industrial sounds, there are also ethno influences,  where do these come from. They blend in the sound really well, is it hard to do this?

A blend of ethnic music and machine coldness always proved to be a fascinating affair, that we are so fond of. Middle Eastern music in particular is a wonderful and easy medium to integrate into any type of electronic music. The fact that we enjoy listening to classical Arabic music makes it easier to apply it to any ideas for the track we come up with.


The chants on the album are great, are they samples or specially made for the album?

Some of the vocal pieces were sampled, some were sung by a good friend of ours Ingrid Jonkers. There are plans to work with a Persian male singer to give a touch of authenticity.


The music, is it all electronic music or do you use actual guitars and other instruments as well?

No, there were no live instruments used on Blue Beam, it was all “electronic”. To use live session musicians can be rather pricey.

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So far Geomatic hasn’t played live, are there any plans to do live shows?

Playing our music live is a different kettle of fish. We cannot see ourselves sharing a stage with just a laptop. That would be truly pathetic. In the mean time, re-arranging the tracks for live percussionists is a thing of a future.


What will be next for Geomatic?

The new album, possibly a soundtrack for another feature documentary and of course more sleepless nights in the studio.


Any last words for the readers?

Support independent musicians – download it, buy it!

www.myspace.com/geomatic1